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etchings in the yale center for british artyale center for british arthand-coloredisaac cruikshankjames gillrayrichard newtonpenpapercharles hamilton smithlaid paper
Plymouth, Devonshire, William John Cooke, between 1827 and 1838
etchings in the yale center for british artwilliam john cooke
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
etchings in the yale center for british artjames gillray
Henry the Seventh's Chapel, Edward Rooker
etchings in the yale center for british artedward rooker
The Friendly Agent, James Gillray, 1787
etchings in the yale center for british artjames gillray
Glaucus and Scylla or the Monster in Full Cry, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Louis Dethron'd; or Hell Broke Loose in Paris, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Ghost's or the Taylor Befrited..., A German Story, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
The Pitt Fall, James Gillray, circa 1785
etchings in the yale center for british artjames gillray
A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Lough Foyle, Londonerry, John James Hinchliff
etchings in the yale center for british artjohn james hinchliff
The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
etchings in the yale center for british artjames gillray
The Auckward Squad, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Sailors and the Pounded Ass, Richard Newton, 1796
etchings in the yale center for british artrichard newton
Westminster Abbey, Charles William Sherborn, 1877
etchings in the yale center for british artcharles william sherborn
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
Whitehaven, Cumberland, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton), James Gillray, 1797
etchings in the yale center for british artjames gillray
Grandpappa in his Glory!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Royal Society, James Gillray, 1786
etchings in the yale center for british artjames gillray
Malmsbury Abbey, Wiltshire, John Charles Varrall, between 1827 and 1838
etchings in the yale center for british artjohn charles varrall
Lear, from King Lear, Act III, Scene ii, John Hamilton Mortimer, 1776
etchings in the yale center for british artjohn hamilton mortimer
A New Prop for a Rickety Stool, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Corpor(e)al (!) Stamina., James Gillray, 1801
etchings in the yale center for british artjames gillray
Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
etchings in the yale center for british artjames gillray
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
etchings in the yale center for british artjames gillray
Prussian Bobadils, Returning to Berlin!!!!!!!, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Whims of the Moment or the Bedford Level!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
No Reform, No Reform, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A Sphere, Projecting against a Plane ---, James Gillray, 1792
etchings in the yale center for british artjames gillray
Richmond Hill and Bridge, Surrey, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Cryer, Alias the Bell Weather, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Dinant, No. 1: Southwest View, George Arnald, between 1818 and 1828
etchings in the yale center for british artrealism
A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Specimen of Light Horsemanship, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Bridal-Night, James Gillray, 1797
etchings in the yale center for british artjames gillray
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Harlech Castle, North Wales, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone, George Barret, Sr.
etchings in the yale center for british artgeorge barret, sr.
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Visit to the R---l Cole Pit, Richard Newton, 1791
etchings in the yale center for british artrichard newton
Entrance to Fowey Harbour, Cornwall, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
The Fruition of Nantes or the Vision Interpreted, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
La Derniere Resource; - or - Van-Buchells, James Gillray, 1791
etchings in the yale center for british artjames gillray
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
A Flight of Parsons, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
An Astonishing Paragraph, Richard Newton, 1791
etchings in the yale center for british artrichard newton
A Brace of Blessings, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Pull Devil - Pull Parson, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
etchings in the yale center for british artjames gillray
Meuse and Sambre, from the Gate of the Sambre, George Arnald, 1822
etchings in the yale center for british artrealism
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Sick Prince, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
etchings in the yale center for british artisaac cruikshank
Dartmouth Cove, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
The Antiquities of Malmsbury, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Rival Pigs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The - Battle Royal, or Who Wears the Breeches, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Prodigal Son, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Slough of Despond----; Vide - The Patriots Progress, James Gillray, 1793
etchings in the yale center for british artjames gillray
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797
etchings in the yale center for british artjames gillray
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Gloria Mundi, or - The Devil Addressing the Sun, James Gillray, 1782
etchings in the yale center for british artjames gillray
Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Rape of Helen, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Finishing Touch, James Gillray, 1791
etchings in the yale center for british artjames gillray
Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Legacy, James Gillray, 1786
etchings in the yale center for british artjames gillray
Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, Michael Vandergucht
etchings in the yale center for british artmichael vandergucht
Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
etchings in the yale center for british artjames gillray
Room in Fulwood's Rents, Gray's Inn, John Wykeham Archer, 1850
etchings in the yale center for british artjohn wykeham archer
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